Here’s a profile of Spalding Gray by Oliver Sacks that appeared in the New Yorker this April. “The Catastrophe: Spalding Gray’s Brain Injury.” The subtitle is a bit misleading, you might think it deals with neuroscience. What it really chronicles is a slow, but seemingly unavoidable descent toward suicide. It is very dark. Those that recall Spaldings performances during his popularity will recall that he was the essence of life. When he first disappeared I seem to recall the press treated it as if it were a mystery. To hear this recounting is chilling. Highly recommended, if you’re up for it. Not recommended if you’re depressed.